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Tracking King Kong: A Hollywood Icon in World Culture by Cynthia Erb, Drawing upon recent reception aim buddy icon maker and cultural theories as well as production aim buddy icon maker and archival documents, Tracking King Kong examines the King Kong figure in a range of cultural contexts aim buddy icon maker and institutional settings. The recent successes of Jurassic Park aim buddy icon maker and The Lost World have refocused attention on the films of the prehistoric monster genre, the most famous of which is the 1933 classic, King Kong. From that film emerged the beast who has become a virtual icon in American aim buddy icon maker and world culture, repeatedly reanimated in advertisements, parodies, political cartoons, sequels, musical theater, aim buddy icon maker and other texts. Cynthia Erb contends that King Kong's enduring cultural value has derived from his difference from standard white male heroes. Among Hollywood films, King Kong is rare for its invitation to identify with a powerful beast standing at the borders of the monstrous aim buddy icon maker and the exotic. King Kong stages an ethnographic encounter between a nature film-maker aim buddy icon maker and exotic beast, then enfolds this encounter in codes of horror: in his last stand, King Kong uses his power to dismantle the ethnographic spectacle that ensnares him, then unleashes his monstrous fury against the forces of modern civilization. Chapters cover the production aim buddy icon maker and release of King Kong in the 1930s; King Kong aim buddy icon maker and the expeditionary-documentary tradition of the 1920s aim buddy icon maker and 1930s; postwar revivals aim buddy icon maker and spinoffs; aim buddy icon maker and camp aim buddy icon maker and black parodies of the 1960s aim buddy icon maker and 1970s. In addition to King Kong, Erb offers detailed analyses of other films including Grass, Tarzan, The Ape Man, Trader Horn, Mighty Joe Young (remake to be released in 1998), Godzilla (1998 remake also to be released), Son of Ingagi, aim buddy icon maker and Dr. Black aim buddy icon maker and Mr. Hyde. The theatrical productionsGorilla Queen aim buddy icon maker and King Kong (a legendary South African musical) are also analyzed.
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Biography of a Chairman Mao Badge: The Creation and Mass Consumption of a Personality Cult by Melissa Schrift, With the Great Proletarian Cultural Revolution in 1966, the regime of Chairman Mao Zedong launched a propaganda campaign aimed at disseminating inspiring images of the chairman to a skeptical populace. So was born the "Mao badge", a political icon in the form of a pin that was widely distributed to create, sustain, aim buddy icon maker and inflate the Mao personality cult during the Cultural Revolution (1966-1976). Scholars estimate that over two billion Mao badges, featuring over fifty thousand different designs aim buddy icon maker and themes, were produced. As China enters into an era in which people can more openly express the fallout of the Cultural Revolution, these icons have taken on new meanings. Individuals are wearing them aim buddy icon maker and talking about them, often in subversive ways. Melissa Schrift suggests that the badges developed "lives" that far surpass the intentions of their creators, as the Chinese ironically commodify them, both during the Cultural Revolution, aim buddy icon maker and today. During the Mao years, people wore the objects to symbolize their unquestioned loyalty to Mao. Yet even then many Chinese subverted the badges' symbolic meaning. Using them in socially approved rituals, they gained a measure of political credibility that masked their practice of customary rites. Biography of a Chairman Mao Badge is a work of cultural history that contributes to our understanding not only of Chinese society but, more generally, of strategies people employ in responding to aim buddy icon maker and transforming the meaning of propaganda campaigns aim buddy icon maker and symbols.
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